Albert Pedrosa Albert Pedrosa

The Power of Rapport in Studio Portrait Photography

When everything was set, the model came into the shooting area. The photographer introduced himself, did a bit of small talk, then started giving instructions. I was honestly surprised. I wasn’t expecting that. Most beginner photographers would usually skip that part and go straight into shooting.

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Albert Pedrosa Albert Pedrosa

My Favorite Photo? It’s Actually the Shoot I Love Most

One of my students recently asked me a simple question during class:

“What photo do you love the most in your portfolio?”

At first, I thought it would be easy to answer. I immediately remembered several images that I really like—some because of the lighting, others because of the expression or the concept behind the shoot.

But as I tried to decide which photograph I loved the most, I realized something interesting.

It wasn’t actually the photo itself.

It was the shoot.

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Albert Pedrosa Albert Pedrosa

Capture the Moment or Create the Moment?

When I was starting out in photography, one of my biggest struggles was figuring out what genre truly fit me. I tried many different styles, exploring and experimenting, hoping to discover where I naturally belonged.

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Albert Pedrosa Albert Pedrosa

Working with Models

Why is handling models so important that I decided to write about it? Because it can make or break your images. How a model delivers and embodies a look or character largely depends on how you handle them.

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Albert Pedrosa Albert Pedrosa

Adding Visual Impact to your Shot

Photography is a split of technical and art where one takes compliment from each other. You may have familiar yourself with the camera function and probably spent a lot of time reading the camera manual, at this point, all you’ll get is a nicely exposed shot. No impact!

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